Thursday, 13 February 2014

Digipack

I've looked at the digipacks from morrissey's you are the quarry album and the smiths strange ways and louder than bombs ( of which are major inspirations to the band and production) to come to the conclusion that in the digipacks they consist of maybe one or two pages with illustrations of the band and then the rest are song sheets. Also in the reverse to the front cover is where the copyright and  credits are located informing the audice of who has been involved in the making of the album.

Friday, 24 January 2014


Nearly final cut. from Jack Stokoe on Vimeo.

This is Nearly the final cut of my music video. Theres still more editing to be done but overall I'm very happy with the result. Ive added the archive 70s / 80s footage I found on the internet and I believe Its given the video greater depth and almost a secondary narrative. I've tried to interweave the gloomy footage of the main character with the upbeat, positve vhs footage of the 80s holiday footage. This gives the story more depth due to it clearly denoting to the audice that the main character is disatisfyed with modern life and is fond of the past, this is weighted by the opening scene in which we see the character with 80s smiths posters and vinyls. This was intended to coinside with the song's natrual flow of Johnny Marr's upbeat rolling chords and Morrissey's downbeat ( almost miserable) lyrics. I believe this fits well and works in the peice and will please audiences of the smiths and to others who may not be as keen on the band. Another factor that may attract original smiths fans is the homage that is payed to the past, this was a smiths / Morrissey hallmark seen on the album covers and single sleeves Such as "the queen is dead" which features an image of Alain Delon from the 1964 film L'Insoumis.

I belive the target audience for this peice is around the 16 - 50 years old. This is due to the use of meise en scene capturing the essence of the smiths for new younger fans of the band and original followers allike. There is clearly a market for this video due to recent figures showing an 80% increase in viynl sales in 2013 and among them the re released meat is murder was in the top 100. Thus suggesting a new breed of "retro" loving teenagers who are egar to relive a past in which they never lived.  Also Morrissey's autobiography was released late last year but was the fastest selling book all year at 47th best selling book of 2012 with selling over 140,729 copies in the uk ( in print not ebook)


Current issues:

At 0:25 ( the scene in which the character is walking in the alley ) I'm not to sure about the cuts. There is no significant beat at this moment in the song to hit so it leaves a bareness in which to cut. My thoughts currently are to see what a crossfade may look like between the cuts to see if the scene runs smoother.

At 1:40 the shot of the rollercoaster is held a little too long and will be shortened.

All through the carnival scene ( from around 1:50 ) the shots are good but need to be edited so that the cut hits the beat of the song.

 At 2:37 there is an edit which cuts from a long shot of the main character to another long shot which dosent flow right. I believe that I will maybe see if i can cutaway to another 80s clip between the scenes.


Tuesday, 14 January 2014

reaction to the edited version of the Music video




This feedback from kath is really help full. She mentions the shakiness being a real issue to which agreee. In the video she suggests using after effects ( a program which I'm unfarmilliar with ) to stablise the shots, I will take this on board and may venture into looking at after effects for the solution.








Thursday, 2 January 2014

here's a bunch of archive footage that I found on the internet from around the 70s/80s of things that I believe can be put into my music video.


http://www.youtube.com/watch?v=hwYzZ04W4II
http://www.youtube.com/watch?v=HbTkBRtg41I
http://www.youtube.com/watch?v=4TQyYPIwYJ4
http://www.youtube.com/watch?v=GXeqeZeUmKU
http://www.youtube.com/watch?v=cTHH-07Y_3E
http://www.youtube.com/watch?v=9f4e_RKzgew

Plus I found this
http://www.youtube.com/watch?v=yGINB-zGgM8

I will put another video entry explaining the significance of this footage and how it will improve my piece.

Friday, 13 December 2013

second "rough cut"


D:MUsic VIdeosecond cutt from Jack Stokoe on Vimeo.
I'm very happy with this cut and since the last video I have made many changes. The mian change being the emphisis on the editing. I have tried to cut the music to the beat thus leving a smooth change from one scene to another. This is seen at the scene at penshaw monument where I have cut five estabishing shots of the monument to fit together with the fast beat of the drum. This is effective and fits well with the video. Another thing I've added is the archive footage of sunderland winning the Fa cup final in 1972. This footage really fits in well with the contrast of the new footage and the old gives a graeter feel of reminising ( which is one of the main focuses of the video) .

Wednesday, 11 December 2013


roughhhh from Jack Stokoe on Vimeo.

In this video I give a directors commentary over the video so far.

I address these subject areas:

-the need to re-shoot the first scene due to no picture being inside the sleeve of the record

-the need to improve the editing so the video cuts with the beat

- using the reverse edit on premier pro to keep the action match.

- whether I should use archive footage in my Peirce ( due to my approval of the 1073 fa cup final footage)

- how I've cut the footage by the glass door due to the cameraman's refection ( me)

- the use of slow motion at the scene on the beach and the effectiveness of it to the wider story

-  how the ending is an anti climax and how it needs to be re-shot